by Lanny Udell
Randy is a familiar face at Alma del Tango’s advanced classes and milongas in San Anselmo.
A tanguero since 2001, he started to study Spanish and that led him to salsa. But when he saw some tango dancers perform in a 4th of July parade in Sonoma Plaza, he switched to tango. “Salsa is fun, but tango has depth,” says Randy. He began taking classes with Alisa Adams & Alejandro Oyuela at the Sonoma Community Center.
Why tango: “I love the music, for listening as well as for dancing,” he says, citing the melting pot of sounds that infuse tango music. “There are classical elements, traces of Italian opera, Spanish music, the African influence and, of course, Carlos Gardel, the greatest tango singer, was born in France.”
On his first trip to Buenos Aires (he’s been 7 times!) Randy found that his training hadn’t prepared him to dance in the crowded milongas. There was no room for fancy patterns on the packed dance floors. So, at first our tanguero sat at a table, watched the dancers and talked to people – a good way to learn, he says.
During his many trips to Argentina he studied with a variety of masters including Mimi Santapa, a highly respected teacher who focused on leaders, and Carlos Costes, a protégé of Juan Carlos Copes. Eventually he learned to navigate the crowded dance floors.
In the Bay Area, Randy has studied with a variety of instructors including Gary Weinberg and Lisette Perelle, Christopher Nassapoulous and Caroline Peattie, Felipe Martinez, and currently, Debbie and John. “They’re excellent teachers,” he comments.
Learning to follow
In his private lessons with Debbie, Randy is learning to follow because, “I enjoy sitting back and letting someone else do the driving so I can ‘enjoy the scenery.’ Also, knowing how to follow will help me be a better leader by understanding what it’s like to stand on the other side.”
Randy explains: “The follower has more input than many realize. That makes it more of an exchange. The more receptive the leader is, the more the dance is a shared experience. Her energy, what she makes of your lead, becomes a conversation, not a monologue.”
Suggestions for dancing at a milonga
“You don’t need to be an advanced dancer to dance well at a milonga,” advises Randy. “It’s best to keep it simple, stay in your lane, listen to the music, and hold your partner with a soft and comfortable embrace. Remember that the two of you are also dancing with everyone else in the room, so your job is to harmonize.”
Writer/producer of a tango show
Last year Randy was invited by the Sonoma County Library and Friends of the Library to create a tango performance told through story and dance. He adapted a short story from an Argentine anthology, translated it, and staged it with two couples in the lead roles, with Randy as the storyteller. Featured dancers included Pam Shreve, Jan Lok, Mirin Lew, Gerry Forcier, Dach Ver and Michael Farmer. The show was performed in five libraries to enthusiastic audiences.
Randy’s most magical tango experience
“While dancing with a portena in Buenos Aires, the orchestra was playing and she was singing the words in my ears.”