A dancer since childhood, Debbie began teaching and performing Argentine Tango in 1996. She studies continuously both here and in Buenos Aires with a variety of renowned Argentine Tango masters.
On a foundation of early training in jazz, tap and musical theater, Debbie earned her Bachelors Degree in Dance from California State University, Sacramento in 1998 and her Masters in Dance Education in 2001. Her Masters Thesis Project, the show “¡Tango! A Story of Sacramento’s Argentine Tango Community” played to sold-out houses in October 2001 followed by ¡Tango! Rhythms of The Heart (October 2002). She continues to create and produce sold out dance productions such as, “Tango, A Romantic Ritual” (Feb 2008 & 2009, available on DVD) ,“Tango House” (July 2009), All About Tango (April 2011) and Tango Tales (Feb 2012).
From American Swing to Argentine Tango
Before establishing Social Dance Cultures, a non-profit supporting development of community through dance, she created the highly successful “Rugcutter” dance program in Auburn, California. Focused on adolescents, her classes in social swing, performance skills, jazz technique and choreography for vocal performers were extremely popular. She instilled a love and respect in her students for the social origins of American Swing just as she does for the Argentine Tango by integrating authentic movement, music, and social customs in both her teaching and choreographies.
Debbie is the organizing force behind the formation of the all-women Tango Con*Fusión Dance Company where she devotes her artistic attention as a choreographer and featured dancer. Since its inception in January 2004,Tango Con*Fusión has performed original choreography in two ground-breaking all-female tango stage shows with live music and international casts (Leading Ladies of Tango – December 2006, Herbst Theatre/San Francisco; and Glamour Tango – May 2009, Logan Square Auditorium/Chicago). Tango Con*Fusión has been featured in a documentary playing on the international tango film festival circuit and on national television networks (Latin Eyes & Univisión).
Other projects include the 2nd International Queer Tango Festival/Buenos Aires, the 1st International Queer Tango Festival/San Francisco, and the International Dance Festival/New York City and in modern dance venues (i.e. WestWave Dance Festival at YBCA Theater – August 2008) of the San Francisco Bay Area. The company was selected from over 70 applicants from the US and abroad to receive a grant via Dance Mission to premiere Vorágine, a half-evening length work, in the Down & Dirty Dance Series at Dance Mission Theater/San Francisco – January 2010. And, they accepted the prestigious invitation to perform at Congress Internacional de Tango Argentino in Buenos Aires March 2010 as well as perform with Tanghetto in 2011.
John took his first tango classes with George Guim through the Tamalpais Community Education Program. He and Debbie Goodwin now teach that same program. John has studied intensively both in the United States and Buenos Aires with diverse masters such as Orlando Paiva, Diego di Falco y Carolina Zocalski, Fernanda Ghi y Guillermo Merlo, Osvaldo Zotto y Lorena Ermocida, Miriam Larici y Hugo Patyn, Luciana Valle, Fabian Salas, Carolina de Rivera, Donato, Sebastian Arce and Mariana Montes. He is most deeply influenced by studies with Nito y Elba, Joe and Lucila, Gustavo Navierra and Giselle Anne, Julio Balmaceda and Corina De La Rosa.
John has been teaching and performing with Debbie since 1996. He danced leading roles in ¡Tango! and Tango! Rhythms of The Heart, as well as Tango: A Romantic Ritual. He provided substantial support to both productions and produced the videos of the shows as well. John has also appeared several times in Beyond Tango and was a guest artist in Close Embrace: A Tango Love Story. Currently, their dance focus is on improvisation and refining musicality, lead and follow.
As Alma del Tango’s resident videographer, video editor and now lighting director, he collaborated on the filming and editing of Tango Con*Fusion’s new DVD, Trading Places.
John spent much of the last year pursuing his vision of turning the studio into a performance space by adding the stage, curtains and lighting plot. The space and professional lighting and HD video equipment are available for video projects and special events.
Rose started dancing ballet, tap and jazz as a child. She fell in love with partner dancing in high school and was soon organizing group classes so that she could continue to learn. Rose started dancing Salsa and Tango when she moved to San Francisco in 1999. Certified by the Ballroom Dance Teacher’s College and DVIDA with high honors, Rose started teaching at The Metronome Dance Center and later at Cheryl Burke Dance and The Pick School of Dance. Also an avid performer, Rose performs and teaches at events around the Bay Area such as the 49er half time show and at both the San Francisco and Sacramento Ethnic Dance Festivals.
Jasmine has been dancing as long as she can remember. From early on she was drawn to and experimented with dozens of different dance forms and began performing at age 16 with a modern dance company. Jasmine is specialized in both American Swing and Argentine Tango, dance styles which originated during the same Golden Era, however in opposing hemispheres. Jasmine is a member of: Tango Con*Fusión, a professional all-female Argentine Tango performance company; a long-time dancer of the Busby Berkeley vintage style dance group, The Decobelles; and teaches private lessons and group classes in American Swing style across the Bay Area.
A native of Northern California, Jasmine attended the University of California at Berkeley where she earned baccalaureate degrees in Geography and Education and later an MBA from Mills College. She is a full-time dance teacher and performer. Visit Jasmine’s website at: jasmineworrelldance.com
The following team members take over when the core staff of Alma del Tango are away and play substantial roles in the student production process.
Pier Voulkos is a former professional modern dancer who started her dance career in San Francisco with Ed Mock and retired from the Mark Morris Dance group in 1989. Through the 1980’s in New York she also worked with choreographers Daniel Peters, Diane Martel, Donald Byrd, and Rosalind Newman. As a theatrical designer in 1986 she received two separate collaborative commissions for theatrical set and costume design, one funded through the Visual Art Program, New York and the other funded through the New Works Program, Massachusetts Council on the Arts and Humanities. Since discovering Argentine Tango in 1997 she has become totally immersed in its rich social culture, its history, its music and its improvisation and creative possibilities. She currently teaches Argentine Tango in San Francisco with her partner Daniel Peters at the Metronome Dance Center, classes at the Cellspace Alternative Milonga and in Berkeley at The Beat and is a founding member of Tango Con*Fusión
Daniel began his professional dance career in San Francisco dancing for Ed Mock and Company (1979 – 1981). After moving to New York’s Lower East Side with the lovely and talented Pier Voulkos, he began choreographing for White Dog and PS 122, as well as dancing in the companies of Donald Byrd and The Group, Rosalind Newman, and Jim Self. Daniel has studied tango with Christy Cote, Julian Miller Ramil and Homer Ladas. Mr. Peters is also a filmmaker. He makes 16mm silent tango films for live music performances and has worked with the tango band Trio Garufa.