Archive | April, 2019

Argentine Tango – The Line of Dance

Argentine tango, dancers following the line of dance

It’s important to honor the line of dance. In fact, it’s the first rule of tango.

by Terence Clark, author,  journalist, and Alma del Tango board member

 

The line of dance seems a reasonable enough idea. A number of couples dancing tango are asked, by custom, to dance in a more or less circular line that borders the edges of the dance floor, all in the same direction. This is done in order to keep collisions between couples at a minimum and to further the promise of dancing gracefully while at the same time cheek by jowl with numbers of other tangueros.

You would be surprised, however, at how often this custom is not observed. As a leader, you’re attempting to circle the floor in the line of dance, and some other leader in front of you is coming the other way. You take evasive action, ruining the moment that you and your partner have set up, and sometimes a bad stumble results, or a graceless, sudden stop, or an actual run-in with either that other leader and his partner, or with the poor people following behind you.

It’s even worse if you are a follower. (I’m speaking here of the traditional female role of the follower. But the same scenario exists no matter what the gender of the leader and follower may be.) If your leader knows what’s happening and is trying to follow custom despite the guy up ahead, or if your leader is a dolt and is taking you in the wrong direction, you may be stepped upon, angered, bruised, or worse. And if the collision includes the sharp heel of a woman’s shoe landing on the side of your foot and bruising or puncturing it, things are even worse.

The injured person is escorted, weeping, to a chair and ministered to. I wouldn’t be surprised if a hospital visit has occasionally been the result.

Why dancing in the middle of the circle is a no-no

As a less experienced dancer than I am now, I thought that the simple solution was to get out of the line of dance and head for the less crowded space in the middle of the circle. Two events relieved me of that opinion.

Bea, my partner, and I were once dancing at the Club Español in Buenos Aires. It was a very crowded night, and anything out of the ordinary or too showy in the dance was next to impossible. There was, however, one person who seemed oblivious of all this. About sixty, with a gut, he was dressed in a T-shirt, Bermuda shorts, and running shoes. His partner was similarly poorly frocked and porcine. He danced up and down in the middle of the floor, all the while instructing his partner on how to do tango. At least, I think that’s what he was saying, although I don’t have enough German to have understood entirely what he was ordering her to do. The search for escape on his partner’s face, however, gave me a direct clue to what she thought of his advice.

Everyone in the line of dance found this fellow foolish and invasive, and there’s nothing to equal the sound of a bunch of Argentines agreeing that someone else is a…well, as they say in Buenos Aires, a boludo.

A few weeks later, when I mentioned to Nora Olivera what I had seen, she nodded and then shook her head. “The worst dancers are always in the middle of the floor,” she said. Since then, I’ve looked out for this, and found it to be true.

It’s important to honor the line of dance. In fact, I think it’s the first rule of tango. Leave the line of dance, and you will be, so to speak, up a creek and, if she has her head on straight, without a partner.

Terence Clarke’s latest novel, The Splendid City, is available in book stores and on Amazon

Read full story · Comments are closed

Students of the Month ~ Marti Sukoski and Scott Adams

by Lanny Udell

Couple dancing tango at Alma del Tango in MarinDancing tango since: Marti started dancing tango in the late 1990’s when the tango craze was just getting under way in the Bay Area. Before that she had danced ballroom and salsa. Scott discovered tango in 2006.

Back story: Scott started studying with Mayumi Fujio. In 2007, he was taking classes with Luz Castiñeiras and as luck would have it, Marti dropped in to a class. She was a more experienced tango dancer than he, but what he lacked in experience he made up for with enthusiasm. He invited her for an evening of dinner and dancing.

At that time, Marti was about to leave for a month in Buenos Aires to study Spanish and tango. When she got back, Scott contacted her and asked, “Do you remember me? Do you want to dance together?” She did. Fast forward—the tangueros got married last year and, of course, danced a tango at their wedding.

Traveling tangueros: “We try to dance wherever we travel,” says Scott. Destinations have included Barcelona, Spain; San Miguel de Allende, Puerta Vallarta and Morelia, Mexico, with a visit to Patzcuaro, a small indigenous town where an Argentine woman had a restaurant and taught tango. “It was very serenpiditous,” recalls Marti. The couple is currently dancing through Europe.

Why tango: For Scott, it’s the music. “It fits my personality,” he says. Piazzola is a favorite. Marti says, “It’s hard to explain, it’s a feeling. The interaction between leader and follower. You can have a tango moment with a complete stranger.” She likes the improvisational aspect of tango, “with your partner, you create something together.”

Marti and Scott at their wedding receptio n

The tango bride and groom

Like Scott, Marti loves Piazzola.  A cello player, she loves both playing the music and dancing to it. Last year she played Oblivion with a small chamber group at College of Marin.

About Debbie & John: “I love their focus on the form of tango and I’m understanding more about myself and my body from studying with them,” says Marti. They give so much of themselves through their teaching, besides being welcoming and warm people.” What Scott likes most about Alma del Tango is the community:  “it’s nice to go there, see people we know and dance with everybody,” he says.

Anything else? To prepare for their Europe trip, Scott researched milongas in every city they’re visiting. “It’s special when you dance in another country with people in another culture, whether it’s in a little village in Mexico or a big city like Barcelona.”

Tango couple sightseeing in Mexico

Marti and Scott on holiday in Mexico.

When asked why they continue taking classes they agree, “Like any art form it’s a constant learning process.”

Last word: “Isn’t it great that in sleepy Marin county there’s a place to go on Friday night where it’s hopping?” muses Marti.

Read full story · Comments are closed